A L I S O N W E S T
C U R R E N T W O R K

K I R S T Y A D A M S
Kirsty Adam’s work is both functional and holds aesthetic meaning, retaining the spontaneity and delicacy intrinsic to making on the potters’ wheel. A Japanese comb tool is used to create and enhance the throwing lines. Her Icelandic collection is the culmination of a research trip to Iceland to express the ‘otherworldliness’ of the landscape.
Kirsty is an award-winning ceramicist currently working from her studio in Newcastle upon Tyne. She originally trained at Brighton Art College and then on the potters’ wheel in Japan. She has developed a personal approach to throwing on the wheel using porcelain clay, to produce unique pieces for the home.
Exhibitions and Events
Being Human
6th March - 19th April 2020
C U R R E N T W O R K

L A K R I S T A M O R T O N
"The Birch Collection stems from testing and building an intuitive understanding of silver birch ash as a material. Each piece is finished in a glaze which features a minimum of 30% silver birch ash and only one to three additional materials to allow for a focus on the quality and essence of the ash. It is a collection to reflect the different seasons of birch and other flora that are often found on their branches and intermingled with their roots."
​
"Working with different wood ashes that I collect and source myself, I aim to create tactile, varied surfaces on functional ceramics. By using the ash from my woodstove and the ash generated as a bi-product from a local wood-fired pizza business in my glazes, I make use of a humble material that would often otherwise go to waste. I use slow, systematic methods like tri-axial and line blends to test simple combinations of materials to identify the proportions of each which best illustrate the qualities of the ash. Through this careful, methodological approach, I work to create surfaces that retain a natural spontaneity and that have a quiet, reflective quality."
"I started working with ash glazes in 2020. I focus on creating finishes and surfaces which involve collecting, processing, and systematic testing of found and collected materials. I am also a post- doctoral researcher at the University of Aberdeen and the methodological approach I have developed in this work features significantly in my ceramics."
C U R R E N T W O R K
M O R E I M A G E S


