A L I S O N W E S T
C U R R E N T W O R K
K I R S T Y A D A M S
Kirsty Adam’s work is both functional and holds aesthetic meaning, retaining the spontaneity and delicacy intrinsic to making on the potters’ wheel. A Japanese comb tool is used to create and enhance the throwing lines. Her Icelandic collection is the culmination of a research trip to Iceland to express the ‘otherworldliness’ of the landscape.
Kirsty is an award-winning ceramicist currently working from her studio in Newcastle upon Tyne. She originally trained at Brighton Art College and then on the potters’ wheel in Japan. She has developed a personal approach to throwing on the wheel using porcelain clay, to produce unique pieces for the home.
Exhibitions and Events
Being Human
6th March - 19th April 2020
C U R R E N T W O R K
*Please note, our small team are taking a rare break this summer so our next confirmed sending date for all purchases will be Tuesday 3rd Sept.*
During this time, we are still contactable so please don't hesitate to get in touch with any queries or if you require an artwork before this date.
L A U R E N C E E A S T W O O D
Laurence Eastwood comes from Upwey, a small village in Dorset. He first started working with clay at the age of eleven and later began throwing on the wheel at a weekly evening class. Laurence was asked to join the Upwey Potters Group alongside five local potters, where he learned the values of being a potter and doing a craft.
When Laurence was 14, he was experimenting with woodworking, casting, and any other materials that he could get his hands on. He went on to do some ornamental plastering work part-time while studying art at a local college. After a couple years, Laurence decided to get back into pottery and started teaching and attending markets with his work. ​
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Laurence started working at the Leach Pottery, St Ives, as a volunteer in 2015. After a year, he joined the team as one of their production potters. Alongside his work on the Leach Standard Ware, Laurence continues to work on his own range of work.
‘Pots are not complete unless they are used and loved by the buyers on a regular basis. I enjoy using my pots after they are made just as much as I like making them.’
