Photography by Dilya London
N I N A S A L S O T T O C A S S I N A
Nina Salsotto Cassina's wild moonjar collection researches and searches a material essence. It comprises seven vessels, each made from earths foraged in South East England and is part of a larger documentation of the geology of the area.
The form, inspired by the traditional Korean moonjar, is purposefully simple and sober to allow the properties of the material to speak. All thrown at the wheel, the moonjars alter dependent on the clay body, its plasticity, grog and strength, with the goal of maintaining imperfections and abstracting the vessel as little as possible from its original earth.
The vessels are unglazed to both highlight clay as the primal quality of pottery and to maintain a sustainable approach. The clays are collected in small quantities, by hand, without producing any waste and fired just once, lessening energy consumption.
Nina started her wild clay project 'Unurgent Argilla' project in 2019. She works exclusively at the wheel and mainly experiments with wild clays foraged by hand in small quantities. Self-taught, Nina is also currently a politics doctoral student at SOAS and applies her training in research and academia to ceramics.
C U R R E N T W O R K
M O R E I M A G E S
A S S E E N I N
16th May 2020 - end date tbc when lockdown ends
Foraged, dug, cut and collected, the materials used by the artists and makers are not just about form, but are a way of exploring their surroundings; unique stories revolving around a sense of place.